Quantcast

Video of the Day

Masthead

Editor-in-Chief
Alex Carnevale
(e-mail/tumblr/twitter)

Managing Editor
Kara VanderBijl
(e-mail/tumblr/twitter)

Features Editor
Mia Nguyen
(e-mail/tumblr/twitter)

Senior Editor
Durga Chew-Bose
(e-mail/tumblr/twitter)

Senior Editor
Brittany Julious
(e-mail/tumblr/twitter)

This Recording

is dedicated to the enjoyment of audio and visual stimuli. Please visit our archives where we have uncovered the true importance of nearly everything. Should you want to reach us, e-mail alex dot carnevale at gmail dot com, but don't tell the spam robots. Consider contacting us if you wish to use This Recording in your classroom or club setting. We have given several talks at local Rotarys that we feel went really well.

Pretty used to being with Gwyneth

Regrets that her mother did not smoke

Frank in all directions

Jean Cocteau and Jean Marais

Simply cannot go back to them

Roll your eyes at Samuel Beckett

John Gregory Dunne and Joan Didion

Metaphors with eyes

Life of Mary MacLane

Circle what it is you want

Not really talking about women, just Diane

Felicity's disguise

Live and Active Affiliates
Search TR


follow us in feedly

Classic Recordings
Robert Altman Week

Friday
Aug292014

In Which Ralph Ellison Meets The Love Of His Life

This is the first in a two part series.

Nothing Has Changed

by ALEX CARNEVALE

In 1957, Ralph Ellison told his second wife Fanny McConnell that their marriage had been a disappointment to him.

Ralph and Fanny met thirteen years earlier. She was slightly older, still gorgeous, having changed the spelling of her name from Fannie to Fanny as a way of putting the sexual abuse by her stepfather behind her. She had studied theater at the University of Iowa after transferring from Fisk College in Nashville. Due to Jim Crow laws she was never allowed onstage.

Disillusionment came to Fanny quickly. When she enrolled at Fisk, she told her mother, "I think I am the best looking girl in the freshman class. I am going to make it my business be one of the smartest too." She transferred from Fisk to Iowa, where she was even unhappier at the larger, almost all-white school. Chicago treated her no better.

Fanny's first husband was the drizzling shits; her second husband ran off to join the 366th infantry and decided he liked it a lot better than his wife. She lost her job at the Chicago Defender for no reason and found Washington D.C. to be the most racist city she had been to yet.

In New York, she took a position at the National Urban League. It was here that she met Ralph Ellison, who, she wrote, was "the lonely young man I found one sunny afternoon in June." In reality, the two were introduced by mutual friend Langston Hughes. Their first date occurred at Frank's Restaurant in Harlem.

Ralph encouraged his new girlfriend to read Malraux. He was planning a novel about a black man dropped into a Nazi prison camp, who would rally the group together before perishing as a martyr. It was meant to be "an ironic comment upon the ideal and realistic images of democracy."

Three months after they kissed, Fanny moved into Ralph's apartment at 306 W. 141st Street. She could not tell anyone she lived there, since she would have been fired from her job if they knew. Soon after, she left for Chicago to finalize her divorce papers. Ellison panicked that she would not come back. She had barely hit city limits when he telegrammed, YOUR SILENCE PREVENTING WORK. WIRE ME EVEN IF MIND CHANGED. Fanny replied, NOTHING HAS CHANGED. I AM THE SAME AND LOVE YOU.

When she returned to New York, Fanny was so happy she chanced an enema and threw out her old clothes. They adopted a puppy, a Scottish terrier named Bobbins.

The two were rarely apart in the years that followed. World War II ended, but Ralph's own battles continued. They spent part of that summer after their marriage in Vermont, where among the detritus of backwards New England, Fanny's husband developed the basic concept of Invisible Man.

Ralph found it difficult to write in Harlem, so he rented a shack in scenic Long Island that served as his office. The rent took up most of his savings, and Fanny's job at a housing authority provided the rest of what they had. The two were married quietly in August 1946.

At the same time as Ellison was putting down roots, his friend Richard Wright was leaving America for Paris, exhausted by the insults an invective marriage to a white woman had brought into his life. In Paris Wright would have powerful friends in the expatriate community; Ellison had already found these resources in America.

With Fanny by his side, Ralph hoped for the kind of acclaim and financial security of which he had long dreamed. In order to really get down to completing Invisible Man, he plotted a sabbatical from his wife in Vermont where he could finally wrap up the novel. He took Bobbins and their new dog, Red, with him. He missed his wife intensely: "To paraphrase myself, I love you, write me, I'm lonely, and envious of your old lovers who for whatever pretext, have simply to walk up the street to see you."

Fanny wrote back, "My dear, all my former lovers are dead. I don't even remember who they were."

with a friend's bb

Ralph encouraged Fanny to spend the time writing, which she had done for the stage in Chicago at the Negro Theater. In New York she was expected to keep up relationships with Ralph's wealthy white friends, who enjoyed parading her around a bit too much.

By the time Ralph made it back from Vermont where he was basically the only black man in a small college town, Invisible Man was yet to be completed. Fanny felt major pressure to produce a child. At 38 this would have been difficult, and Ralph was resolutely against adoption. Still, she could not conceive despite fertility treatments at the Sanger Bureau. Frustrated with his wife, Ralph pretended to seek other intimacy without ever consummating it.

He took out on Fanny his anger at not being able to complete the book, at what he felt was a token role in a white-dominated literary world. All this he also channeled into his writing. When a friend offered the use of an office in Manhattan's diamond district, Ralph gladly accepted. Perched in a window that looked out on Radio City Music Hall, passerby were often scandalized to see a black man smoking at a typewriter.

By 1949 Ralph had to abandon his temporary office, but Invisible Man, after so long, seemed close to being finished. An excerpt published in the magazine Horizon heightened anticipation for the book and elevated Ralph's star, pushing him to complete the final manuscript. Fanny did much of the typing as he revised, focusing the text by eliminating an Othello-like subplot.

Manhattan seemed a more hospitable place than ever. In these last months of putting together the book, Ralph would do anything to distract himself from saying it was done; he even constructed an entire amplifier from parts to avoid working on it. Fanny gave him the space he needed: husband and wife were on more solid ground. Finally, with a new agent and new publisher, Invisible Man appeared on store shelves on April 14, 1952.

"We feel these days," Fanny wrote to Langston Hughes, "as if we are about to be catapulted into something unknown  of which we are both hopeful and afraid."

Alex Carnevale is the editor of This Recording.

with Lyndon Johnson

"Sugar High" - Larkin Poe (mp3)

"Jesse" - Larkin Poe (mp3)

Thursday
Aug282014

In Which Alan Bennett Used To Find This All Quite Daring

East Is Danger

Alan Bennett: the son of a butcher who rose from a modest background to become one of the most celebrated British playwrights of the century. The diaries Bennett kept, especially during his visits to America, eclipse those of de Tocqueville and Dickens, amounting to a catalogue of perspectives from humblest to bourgeois. These writings show off a lot more than Bennett displayed in plays like The History Boys or Kafka's Dick, describing a man who almost unknowingly belonged to a different time than the one he was in.

Why American is a foreign language: we like in a cafe near Gramercy Park, sitting out on a heavy, overcast day. I order a screwdriver and drink it quickly and ask for another.

"I guess it's kind of hot," the waiter says.

"Yes," says Lynn, "and the glasses are kind of small."

"Yes," says the waiter. "That's true also."

No Englishman would say, 'That's true also' (although it's a perfectly grammatical sentence), because it's written not spoken English. Only Ivy Compton-Burnett would write it as dialogue.

+

Mary-Kay rings from Geneva to tell the children their grandfather has died. Sam answers the phone, is told the news, and then immediately announces to the room in his gruff eight year old voice, "He's dead."

William (six) now comes to the phone. "Can I pretend that I don't know and you tell me all over again?"

+

Ten years ago it was thought (or I thought it) quite daring for a girl to loosen her bikini top to brown her whole back. Nowadays girls bare their breasts and bake them openly just as a matter of course. Or girls with nice breasts do. Charlotte H., for instance, who sits across the swimming-pool from me now, has huge unexpected breasts with large, snub nipples; they look like the noses of koala bears.

I wear a pair of flip-flop sandals, the sort of with a sole and one strap across - the biblical type, I suppose. When I was a boy and read of Jesus washing the feet of the disciples, I thought of their feet as like my own in 1943, sweating in grey Utility socks and encased in heavy black shoes with stuck-on rubber soles. Consequently I regarded Jesus's gesture as far more self-sacrificing, even heroic, than it actually was. After twelve pairs of such feet, I thought, the Crucifixion would have been a pushover.

+

An article on playwrights in the Daily Mail, listed according to Hard Left, Soft Left, Hard Right, Soft Right and Centre. I am not listed. I should probably come under Soft Centre.

+

I am walking in the Lower East Side in New York, strolling east through the village. I am surprised by how much of it has been smartened up. Then I come out into an intersection between warehouses and railway buildings, where, across a large central triangle, I see a herd of mackintoshed derelicts, who are also convicts, each with a white oblong on his boots carrying his prison number. I turn and run, much as one might run to get out of the way of a herd of cows, for I know they are not individually dangerous.

Now I am walking back towards safety - east is danger, I know, and west is home - back along a narrow track beside fields of standing corn. A colourful character waves me on, and then I am confronted by a young man in a smart cavalry-twill coat, the coat slightly too big for him; he has a small head, with gummy, edgy hair. He wants money, and I reach into my right-hand back pocket, where I have several bills, and, taking them out, pull out one for ten dollars. I notice that all the colour has drained from the note. Knowing that I have only taken out one bill among many, he suddenly has a knife in his hand which he is holding before his face, a small knife, the blade of which I can hardly see.

I know as we confront each other in the standing corn that this young man of twenty-six or so is going to kill me and that I had been misled by the cavalry-twill coat into thinking him a better class of person. Suddenly I see why the coat is too big - because that too is stolen. I look into the face of this cold-eyed runt and see as I wake and die that I will perish because I have been a snob.

+

When, like today, I feel I have got a little way with a plot and knock off for the day, it is like a climber going up a sheer face who pitches camp on a narrow ledge. Tomorrow he may get no further; he may even roll off during the night.

+

Telephoned by the Evening News to see if I have any comment to offer on the occasion of Harold Pinter's fiftieth birthday I don't; it's only later I realize I could have suggested two minutes' silence.

+

Struck by the completeness of New York, much of it still as it was in 1930. Today is Thanksgiving Day and the streets are emptied of humanity, Prince Street swept clean of people, every detail of the fretted fronts of warehouses clear and sharp, buildings cut up like cheese, segmented against the sky. It was like this the Thanksgiving Day after JFK's assassination, when I walked down a totally empty Seventh Avenue with not a soul to be seen.

+

In the new form of service God is throughout referred to as You; only one Thou left in the world, and the fools have abolished it. Of course they can't do away with the vocative, which is every bit as archaic, so we still say 'O God.' It's a good job God doesn't have a name, or we'd probably be calling him Dave.

+

Commentators on Kafka tend to enlist him. Heller enlists him, holds him up to the rest of the literature class as a good example. How he would have squirmed! Cannetti does the same, annexes Kafka for his own stringency.

Kafka could never have written as he did had he lived in a house. His writing is that of someone whose life was spent in apartments, with lifts, stairwells, muffled voices behind closed doors, and sounds through walls. Put him in a nice detached villa and he'd never have written a word.

+

Someone writes asking advice about where to send a TV script. "We sent it to Kenneth Williams and he was extremely enthusiastic about our script but he committed suicide soon after."

+

Continuing appreciations of Olivier, all of them avoiding the unspoken English question: "But was he nice?"

+

Steven Berkoff, who is currently everywhere, is quoted as saying that critics are like worn-out old tarts. If only they were, the theatre would be in a better state. In fact, critics are much more like dizzy girls out for the evening, just hoping to be fucked and happy to be taken in by a plausible rogue who'll flatter their silly heads while knowing roughly the whereabouts of their private part. A cheap thrill is all they want.

+

"What is it?" said Ariel C. today, "that I've no need to do now that I'm an old lady? Oh, I remember: tell the truth."

I am having supper at The Odeon when word goes round the tables that John Lennon has been shot. "This country of ours," sighs my waiter. "May I tell you the specials for this evening?"

+

A grand seaside hotel in the twenties.

A young woman in black sits in the window, in sharp contrast to other guests in blazers and shorts on their way to the beach.

The hotel manager comes in and tells the woman that unless her bill is paid that day she must leave the hotel. There is an argument.

Meanwhile waiters come in with very expensive luggage, belonging to a millionaire whose yacht has just anchored in the harbour. The millionaire comes in and takes a seat while his room is got ready.

The young woman summons a waiter and tells him to move her seat further away from the millionaire. The millionaire is intrigued. He summons the same waiter, who is noticeably more polite to him than to the woman, and tells him to move his seat closer to her. The process is repeated. The increasingly disgruntled waiter has to move the chairs again.

The millionaire asks why she is moving. She says it is because she can smell money. She is allergic to the sight and smell of money.

The millionaire cannot smell money. She is allergic to the sight and smell of money.

The millionaire cannot smell money. He smells his hand but cannot detect it. He offers the young woman his hand to smell, and she very gingerly does so, and promptly collapses. The millionaire summons the waiter for some champagne. A glass revives her, but the sight of the millionaire tipping the waiter promptly makes her swoon again.

The millionaire asks her how she came to be like this. She says that she married a poor man, and they were very happy, but he worked very hard and gradually became rich. Making money took over his life. He used to come home smelling of money. They lived in a house that smelled of money. He dressed her in clothes, gave her jewels - all smelling of money. She began to suffer from asthma, rashes, fainting fits - all brought on by the sight and smell of money. Even signing a cheque fetched her out in spots.

Eventually her husband died, leaving her very rich. But, valuing her health, she could not touch the money, and besides it nauseated her.

The millionaire is overjoyed. He has spent all his life looking for someone who would love him for himself, regardless of his fortune. He approaches her, but she begins to feel faint.

Suddenly the manager appears with her bill. The millionaire orders the manager to strip, so he can put on his clothes. The manager, obsequious to a fault, does so and the millionaire, now dressed in the manager's clothes, which do not smell of money, is at last able to kiss the young woman's hand.

She says she cannot stand the hotel, and wants to leave. Despite being in his underpants, the manager still insists that her bill be paid, but at the very mention of it, the young woman collapses again.

The millionaire is furious with the manager, saying that he will settle her bill. She begins to revive, and as she does so the millionaire begs her to come away with him on his yacht.

"Will it," she asks fearful, "will it smell of money?"

"No," says the millionaire. "It is a very petite yacht, and all it will smell of is the sea and freedom."

The couple leave hand in hand, and as the yacht sails out of the bay, the waiter clears away the champagne, complaining that neither of them has left him a tip.

+

I  leave the Odeon around eleven, the place already a frenzy of streamers and horn-blowing. Back at the apartment all is quiet, but as firecrackers go off in the street and the noises in her head are blotted out by the whistles and bangs, Rose sings in the new year with a love song.

I love you
and I find it to be true
And the whole world smiles at you.

Except that five minutes into 1985 the fireworks stop, the noises come back, and once more she thinks there is a boy bouncing his ball on her ceiling. No matter that she has thought this for twenty-five years and if there were a boy he would now be a middle-aged man, for Rose he is still bouncing his ball.

"Stop it. Stop it," she shouts. "I can't have this. Stop it, you goddamn filthy bum."

1980-1985

Wednesday
Aug272014

In Which We Sincerely Hope To Impart This Information

Hard to Say is This Recording’s weekly advice column. It will appear every Wednesday until the Earth perishes in a fiery blaze, or until North West turns 40. Get no-nonsense answers to all of your most pressing questions by writing to justhardtosay@gmail.com or by dropping us a note at our tumblr.

Hey,

I recently received an anonymous message through social. The sender was a woman I did not know, and it said, I apologize for doing this, and linked to this Dear Abby column about cheating.

I'm fairly sure my boyfriend Jon is not cheating on me. At least I could think of no feasible time he would be able to accomplish this feat, since we spend most of our days together.

For various reasons I don't want to bring this up to him. I'd like to find out more without him knowing or invading his privacy in any way. Help! 

Janine L. 

 

Dear Janine,

Mention the girl's name in an innocent context and watch for his reaction. He need not know about the message.

If he says, "That's this crazy girl I used to work with," ask for more information. Why does he call women girls? Does he realize crazy is a trigger pejorative often imposed on women who simply don't accept sublimated roles in a patriarchal society? Has he read tumblr?

If this does not resolve your problem, then go to Plan B, the morning after pill. Just kidding, instead wait for the right drunken moment to have the "wild" idea of placing a location tracker on both of your phones.

This part is important: once you have placed a tracker on his phone, if you yourself are cheating, remove the tracker from your phone. The point of this is to catch him, not to expose your own peccadilloes.

Hi guys,

My friend Judy Liederschmidt recently split up with her boyfriend of five years. They went around the world together and took lots of photos in exotic places, such as Bali, the Alps, Papua. New Guinea and Mindy Kaling's birthplace.

These photos are very prominently displayed in the home they used to share, and everytime I go to see Judy Liederschmidt, who is not dealing with this situation all that well, I feel like her ex is staring a hole in my gullet. He cheated on her and it doesn't seem healthy for her to be reminded of it at all times.

How can I broach this subject with her and what do I say?

Frederick R.

Dear Frederick,

You have a few options, each with its own drawbacks.

The first of these strategeries involves heavily complimenting her appearance in a way that conveys the idea that these photos are an outdated, disgusting version of her and she requires new snaps to convey the current state of her gorgeous repose.

Failing that, find a friend who is purportedly single and bring him over to her house. She will probably hide the photos before the young man's arrival, but they may reappear upon the suitor's departure.

At this point, it would be time for full measures. Has she read John Berger's Ways of Seeing?

JK, although someone once gave us that book and said it changed his life.

No, instead you have to pretend it is you who has a problem letting go of someone. Be casually having a thing where you throw romantic letters and trinkets into a fire for some reason  it doesn't have to be the possessions of a love interest, it can be anyone in your life. Heck, it could even be Judy Liederschmidt if she doesn't straighten her fucking shit out.

Illustrations by Mia Nguyen.