This is the first in a series.
by TRACY WAN
The caveat is that the feeding hand gets bitten, but no one warns against the bitten hand that keeps on feeding. It’s a process I was largely unfamiliar with, having never been the type to linger, having built up immunity against the very idea. Most of what we think of as virtuous — patience, tolerance, forgiveness — depends on stasis. To forgive, you have to stay. And I’ve always despised still life: a shark’s death.
But it’s almost June and the air is intimate, pressing tightly to skin. When your body temperature approximates that of the breeze, there are few movements that feel necessary. Of those that do, few are sharp; everything is covered in a sleepy gauze. If we close our eyes, it’ll be morning again.
In summer mistakes don’t feel real. Everything is equal parts possible and impossible; attainable without consequence, and forgettable in the same way. One day I returned home from the lake with a mild sunstroke, and found out he was sleeping with a girl — much in the same way he had been sleeping with me for the past two years. Intimate, pressing tightly to skin. She was the one who told me.
I laughed to myself, and wondered why I was laughing. Was it because I did not expect this life? Was it that I knew this would happen? Nothing made sense except the fact that I had to leave, be in a space that was not decorated by his clothes, a space in which I could degenerate and reconstitute as someone who would survive this. I grabbed a bottle of whiskey, put on lipstick.
Around midnight I came home and told him to come over. I wanted to throw everything he owned out of my window but couldn’t; I wanted to slap him, but held his face in my hands. He cried while picking up his things, but it was then three a.m. and I wasn’t feeling cruel, just devastated. It is almost impossible to retain anger in its purest form; it takes years to be able to speak the body language we covet. The hand that was bitten keeps on feeding.
When he asked me why I let him stay, I replied: to remember that we once gave to each other. He cried more. I kissed him - salty. In the tar dark he whispered I’m sorry and I said treat my body like it’s yours for the last time. He misheard: Like the girl I was with last time? I don’t want that. But he did. This was the proof. This was the fruit.
I cried when we finished, without moving, the tears falling ripe onto his face. It pooled with his into a dark puddle across my pillowcase. We slept with his knees folded into the small of my own: a first. I shifted away upon wakening.
Tracy Wan is the senior contributor to This Recording. She is a writer living in Montreal. She last wrote in these pages about a new film from Sarah Polley. She twitters here. You can find her website here. You can find an archive of her writing on This Recording here.
"Johnsburg, Illinois" - Tom Waits (mp3)
"Once I Was" - Jeff Buckley (mp3)
"The Sea" - Exitmusic (mp3)