by ALEX CARNEVALE
Amy Schumer's face is a bit too bulbous in certain regions, resembling a squirrel with nuts saved up for winter. Her comedy is mostly self-deprecating when it comes to her appearance. She makes jabs at herself about her weight, her voice, her profligate sexuality – basically anything that is not her hair or navel.
Amy is primarily a Jewish woman. Since Jewish women are not so often blonde, Amy passes for a shiksa at first glance. When the unsuspecting goy realizes he is not dealing with one of his own kind, he instinctively rebels against this momentary betrayal. This explains any and all venom against Ms. Schumer on the internet, except from the wives of the married men she has been with. When they told her they loved her, she told them that they loved their wives.
It is possible that Jesus could return to us, but not in the form He took the first time? It is, isn't it?
In one of her sketches, Amy Schumer returns to her domicile and finds her boyfriend wearing clown makeup. She accepts his explanation that he was wearing the makeup as a surprise for her, even though it seems very obvious her boyfriend is hiding a clown woman in their bedroom. The joke is that Amy forgives things that she should not.
In another sketch, Amy's friend and writer on the show, Tig, has cancer. When she asks Amy to run in a 5K supporting cancer research, Amy keeps finding excuses that would prevent her from participating. The joke is that Amy is an insensitive boss and human being. We all know that's not true!
In another sketch, Amy is on a date with a man who is telling her about his experience on 9/11. After she orders her sandwich, Amy remarks of the woman who took her order, "She's cute" after thinking about it for several seconds. The joke is that Amy is so self-centered that she pays compliments to people outside their hearing, I think. Amy finds it very difficult to concentrate during her date's story. Later, she directs him to be quiet while she attempts to Shazam a song playing in the restaurant.
Melissa McCarthy is a lot less conventionally attractive than Amy, but it is still revolting how she is used as a punchline for her weight, and how Chuck Lorre wrote a whole TV show about how the only man she could find would be a guy the size of a house who she met at an Overeaters Anonymous meeting. (This is actually the horribly offensive plot of Mike & Molly.)
Amy's self-deprecating schtick more closely resembles Tina Fey's. Listening to Fey put herself down over the course of season after season of 30 Rock became exhausting, then ridiculous as the actress who portrayed Liz Lemon turned into a sex symbol. There is a deep uncomfortability with sex at the heart of Tina's act in general. It is the reason why her stylings translated so terribly to the movies, where our revulsion and disbelief at how much she claims to have eaten is not nearly as desirable or sympathetic over the course of two hours.
Tempting as it may be to film Amy getting dumped by Bradley Cooper and go on a road trip with her best pal (one of Judd Apatow's daughters, most likely) there are only a select few people who mankind is willing to pay to watch denigrate themselves for our amusement, and the list grows every time Mary Kate or Ashley Olsen replicates via simple mitosis. In her new movie with Apatow, Trainwreck, Amy wrote her own role as a woman who tries to "get over her self-sabotaging ways."
Amy's putdowns of herself are fresher and more biting (and at the same time Joan Rivers-ancient) when she refers to her own promiscuity. Amy recently whispered to James McAvoy on the Tonight Show that she has been known to use too much teeth during oral sex. He seemed vaguely disgusted and semi-turned on. When he stood up he was 5'1" max and Amy did not appear to be interested any longer.
In another sketch, Lisa Lampanelli sings a really awkward and dated song about her breasts being unusual.
In another sketch, Amy portrays a therapist counseling a group of troubled husbands. Each of the men advocates severe violence as a solution to their marital problems. Amy attempts to dissuade them from such a drastic course. At the conclusion of the sketch, Amy's Australian boyfriend enters the room to complain that he has been waiting for too long. The men suggest ways she might kill this man.
In another sketch, Amy expresses her frustration about how terrible her mother is at using any basic technology. In another sketch she and Parker Posey complain to a waiter who does not understand their dietary needs.
Some critics have taken issue with Amy's many bon mots about her vaunted promiscuity. Offstage, Amy makes it clear that while she is far from sexually inexperienced, she does not treat relationships in any kind of frivolous way. Even on her show, Amy shows herself as vulnerable and committed when her partner seems to require the opposite. This seems like an impossible woman to tear your eyes away from for more than a second, let alone cheat on.
It sort of bothers me that no matter how disgusting a male comedian is, no one accuses him of betraying his gender or political movement because he makes a joke about his balls.
Alex Carnevale is the editor of This Recording.
"On My Own" - Kodakid (mp3)
"Goin' Out West" - Kodakid (mp3)